Visual Artist Ladd Fogarty’s Life of Art and Inspiration

Visual Artist Ladd Fogarty’s Life of Art and Inspiration

"Muscowpetung Sage Woman" - acrylic on canvas

“Every child is an artist. The problem is how to remain an artist once he grows up” – Pablo Picasso

“What the teacher is, is more important than what he teaches.” – Karl A. Menninger

Our featured interview with multidisciplinary fine artist and retired art teacher Ladd Fogarty of Emerald Park, Saskatchewan reminded me of the above quotes; our discovery of Ladd’s prolific teaching career and what he meant to his students, as well as his life-long passion for the arts and, like Picasso, an appetite for exploring multiple mediums. Although Ladd has been doing his art work for over thirty years now, it hasn’t been until these last eight years that he has truly taken on marketing his work as a professional artist. During the thirty years that he spent teaching students about the arts he fostered not only their creative gifts which led to their own artistic achievements, but he also forged enduring friendships with many of them.

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What is it that makes a great teacher? When we asked Ladd he mentioned not only patience, humour and a diverse skill base, but also the ability to draw out of a person their creative abilities that they never realized was inside of them. One such student was David Benjoe, who was an art student of Ladd’s at age 17 and doubtful of his artistic abilities. Ladd would say to him, “David, please don’t sell yourself short, art is another way to achieve what you enjoy in life”. Then, through Ladd’s urging he agreed to be part of an outreach arts workshop program for the elementary schools in the area, which he loved. This was his first introduction to leading in a classroom setting. He went on to become a teacher himself and is now on the verge of attaining his Masters of fine arts interdisciplinary. David concludes, “I can honestly say that he was the major influence in the path I took after we met way back in the 1990s”.

"Protecting Purity" - birch burl, soapstone, buffalo bone

“Protecting Purity” – birch burl, soapstone, buffalo bone

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The diversity of Ladd’s artistic media came about from various avenues and influences. He attributes personal desire in determining whether he feels like painting at the moment or working with his hands on a 3d object, which may involve acrylic paints, clay, wood, glass or soapstone. It depends on what story he is trying to tell; it could come from the potters wheel or the painting easel. As an art teacher he also had to learn about and present a multitude of mediums for his students to experiment with. His early exposure to art included his mother who was an opera singer and musician and still plays the violin to this day (Ladd also played in a dance band for about 12-15 years until losing a finger five years ago). His grandmother was a painter and his grandfather played the piano. His father happened to be a carpenter that became a master wood-turner in his retirement and was a great teacher for Ladd.

"Parallel Worlds" - acrylic on canvas

“Parallel Worlds” – acrylic on canvas

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Within the wood and clay pieces that Ladd creates you will see striking designs of geometry, figures and symbols; the clay pieces adorned with acrylic paints adding a lustrous finish. For wood he will use accoutrements such as acrylic paints, stained glass, soapstone, buffalo bone, porcupine quills, as well as stones such as turquoise, pipestone, magnesite and jet black. With already the richness of the wood itself to catch your eye, be it maple, birch or cherry, the additional colours and design add a beautiful touch. Ladd notes that when he is working with wood or clay he uses more symbolism and has a tendency to explore more abstract concepts.

"On The Way To Puskwakau" - acrylic on canvas

“On The Way To Puskwakau” – acrylic on canvas

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To Ladd his paintings relay the inspiration he gains from his natural surroundings as well as the experiences of the people who are a part of it. Ladd has a deep connection to First Nations people and their culture and his work reflects that. One such piece is “Muscowpetung Sage Woman”; the painting featured at the top. This piece was created as a donation to a charity auction to raise money for shelters for women and children of domestic violence. It is a personal piece that shows a woman and child, his adopted First Nations daughter with her daughter, looking over her shoulder to an old woman picking sage, a symbolic gesture of acknowledging her ancestral roots. It represents part of the healing process for a difficult time that she was going through.

Turquoise on birch

Turquoise on birch

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We finished up our interview with a tour of the family home to video Ladd’s art work on display; the house itself a part of his artistic handiwork. We had the pleasure of getting to know Ladd’s wife Liz and their daughter Kaitlyn as we sat down to a lovely lunch that they prepared. A stroll through the yard and garden (where we gratefully accepted some veggies for the road) capped off a wonderful day with the Fogartys.

Enjoy our interview with Ladd and please share his interview on social media. If you are inclined to leave a nice comment for Ladd please submit it below.

Sculptor Warren Wenzel Chisels New Life Into Stone and Wood

Sculptor Warren Wenzel Chisels New Life Into Stone and Wood

"Goalie"

We left the immaculate Molgat Park campground at Sainte Rose du Lac, Manitoba heading (what we thought was) east to meet up with and interview sculptor Warren Wenzel in Gimli. We heard that it was a pretty drive heading through The Narrows, gliding over the only bridge to traverse the shimmering waters of Lake Manitoba. It’s really too bad then that I messed up on directions and took a more circuitous route; south to Portage la Prairie, then east to Winnipeg, and then finally north to Gimli. Sigh…maybe next time. After knocking on Warren’s door and phoning him with no answer we were getting a little worried that our longer than expected excursion here would all be for naught. But then he emerged from where we should have guessed he would be, his garage studio out back where the magic of his wood and stone sculptures come to life.

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Warren has always been active in the arts in one way or another; his college courses leading him to dabble in cement and wood sculptures as well as abstract pieces in plexiglass. Working with wood though has always interested him, and so in 2000 when a home developer had left behind a landscape tie at a house he and his wife Denise were building, he decided to create his first chainsaw sculpture. His subject was a human sized dragon made up of 150 lbs of wood with fibreglass for the wings. It was certainly an ambitious endeavour for his first one and Warren notes that it was so big and heavy that he wound up gifting it to some friends rather than move it to Manitoba. The dragon is now resting comfortably in St. Albert, Alberta.

Wooden Bear

Wooden Bear

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Warren’s wife has made it a yearly tradition of giving him a different gift at Christmas that has something to do with art. So it wasn’t until Denise and her sister collaborated on some stone, hammers and chisels as his gift one year that his love for sculpting stone took off, and Warren has been carving it ever since for the past sixteen years. What he loves about working with the wood and stone is that once he has transformed the piece it is no longer just wood or stone, it has another identity that not only has a part of him in it, but also whatever the subject matter and the characteristics of who the piece is being designed for. Warren loves the creation process the most, taking away the chunks and then the fine bits to finally reveal what the piece of stone or wood was meant to be.

"Coyote Trickster"

“Coyote Trickster”

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Most of the time when Corinne asks an artist what their most difficult piece was, the response is usually associated with a technical aspect of the creation process. When she asked Warren though the question choked him up a bit. His wooden piece titled “Monk” was requested by his son. Warren initially thought of a portly shaped Buddha, but what his son had in mind was the likeness of a slender monk. As it got closer to completion his son said that the monk needed some prayer beads. Unfortunately his son passed away shortly before the piece was completed, and it wasn’t until Warren found the prayer beads amongst his son’s things that he then draped them in the monk’s hands, completing the piece. The “Monk”, sitting in tranquil meditation, exudes a serenity and spirituality to those that see him in Warren’s art tours. They also see the monk’s wooden “scars” where the wood did not lend itself to a perfect human form, and to Warren these are symbolic of the flaws and vulnerabilities of humanity.

"Monk" - wood

“Monk”

Most of Warren’s work is done by commission from his corporate sponsor, where they will give him a list of retiring members and then he will endeavour to create a unique retirement gift for them. He will find out details about the member, pick an appropriate stone to use, and design a sculpture that would best reflect the personality and characteristics of that person.

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A project that he hopes to include in his portfolio one day is a monumental piece. An idea he has is for the town of Stonewall, Manitoba which is known for its limestone quarries. He wants to use a large chunk of limestone from Stonewall to create a 6 1/2 foot hockey goalie and place it in front of their town arena. Anyone who is familiar with hockey knows that a “stonewall” is another term for a goalie (Warren is one himself). What could be a more fitting monument to the town of Stonewall and its limestone legacy than to have an enduring piece, a goalie in limestone, sculpted by a goalie?

Enjoy our interview with Warren and don’t be shy about sharing his story and work on social media and email. We also appreciate comments.