If you have seen the colourful pottery works of ShprixieLand Studios from Boswell, B.C. and thought, “How fun! How Playful! How Unique”, and wondered what the artists were like, well those same descriptors will ring true once you have met Heath Carra and Victoria Henriksen, also known as Shpriken and Pixie. Our first glimpse of these fine folks was when they contacted us wishing to contribute some pottery to our now defunct crowdfunding campaign. We loved their work and wanted to interview them, and despite not living far apart from one another it took awhile to meet up. So here we are, after tooth extraction appointments and date changes we have finally arrived at the base of their driveway, this last obstacle almost requiring four wheel drive for our over-weight and under-powered van Arty.
Like many people living in the Kootenays of B.C. (including us), Pixie and Shpriken relocated from a bigger city to forge a different way of life for themselves. After checking out fourteen homes through a Creston realtor, they found their scenic oasis overlooking the pristine waters of Kootenay Lake in Boswell. Pixie having come from art and design school and Shpriken a background in sheet metal layout, they discovered new opportunities for growth and a new learning curve for all that living in a rural area entailed, such as chopping wood for heating, raising chickens and pigs, and being the head fixer-upper for anything and everything. It also meant finding a way to earn an income, and although they acted on a whim to move, with no plans for work once they got there, it is, ironically, these urges of let’s give it a try that has lent itself well to their creative process and now successful pottery business.
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We learned from these two artists that their art work, like their lives together, are a weave of collaboration, friendship, fun, and propping each other up when needed. It was Pixie who was the ceramic artist arriving in Boswell with the design and wheel-throwing skills, and Shpriken, the mathematics minded handy guy who built her a pottery studio and fixed stuff up where needed. What he found through hanging around Pixie in the studio though is that his knowledge of sheet metal layout crossed over to hand-building clay pieces from slab layout design. From these beginnings their pottery lines have expanded with their imaginations, in many cases incorporating decals that they have made of images and phrases to be imprinted on their mugs, tumblers and rice bowls. You will see fun pieces ranging from adorable animal caricatures with happy sayings, to the risqué humour of their Educational Wildlife Mugs, a light-hearted series for the less prudish. And if you thought that doilies had gone out of style for your table-top accoutrements then wait until you see these designs pressed into a mug or teapot, creating an eye-popping effect. (At the risk of sounding less dudeish Shpriken proudly acknowledges his huge collection of doilies).
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The Shprixies note that although the merit of the artistry and decoration of a piece is important, the shape of the clay vessel must still be fully functional for day to day use. A visually appealing mug will be pleasing to the eye, but one that can be held in the hands with a steaming cup of tea or coffee will also engage the tactile senses, and some may argue even elevating the enjoyment of the beverage. Likewise, a piece hand-made by an artist, where their creative energies have lovingly transformed a piece of clay into a “friend” that speaks to you through the colour and texture of its glazes, the shape of the handle perfectly within your grasp, or the image of a cute owl bringing a smile to your face, will stir the soul unlike anything that a mass produced machine molded mug could ever do.
Enjoy our interview with these high-energy partners in pottery and please help to spread the word about them through social media, with nice comments submitted below for those so inclined.